red #1, green #1, black #1
500 × 500 × 20 mm / 2020
Copper, canvas, glue / 銅、キャンバス、接着剤
Metal painting series
I can say that my project started around the time the coronal pandemic began. The outgoing restrictions were put in place and the only place we could meet was on the screens of our computers and smart phones. And when the need for jewelry began to be questioned, I was intrigued by the information on those screens. This information was a person's personal belongings, such as bookshelves, houseplants, curtains, posters, etc. Everything on the screen, including the person's image, is processed as the same two-dimensional image. Therefore, I consider the screen as an extended space of the body, and I began to create two-dimensional works as jewelry to be "worn" on the screen.
制作プロセスを遡ればコロナパンデミックが始まったころです。外出規制が行われ、私たちが出会う場所はパソコンやスマートフォンの画面上になりました。そしてジュエリーの必要性が疑われ始めた時、私はその画面上に映る情報に興味を惹かれました。この情報とは本棚や観葉植物やカーテンやポスターなどその人の私物です。画面上では人物像を含めた全てが同一の二次元画像として処理されます。なので私はその画面上を身体の拡張されたスペースと捉え、画面上に“着用する”ジュエリーとして平面作品を制作し始めました。
color series
- Copper plates were processed using various metalwork coloring techniques to produce different color variations.
- The plates were laid on the canvas while their round shape inspired the image of colored grains.
Metal processing and installation in the space (material/physical) → Functioning as personal ornaments on an online screen (dematerialization/digital)
・銅板を異なった金工着色技法を用いて色彩のバリエーションを制作。
・丸は色の粒をイメージし、キャンバス上に銅板を敷き詰めた。
金属加工と空間に装着（物質／フィジカル）→オンライン画面内での装身具機能（非物質化／デジタル）